Throughout her career, Nancy Huston has both accepted and transgressed the limits of bilingualism. Limbes / Limbo (1998), L’empreinte de l’ange (1998), The Mark of the Angel (2000), Danse noire (2013), and Black Dance (2014) are five texts that demonstrate Huston’s diverse use of polyglot writing. While Limbes / Limbo is characterized by …