Writing Archive

My project addresses issues with composition in the second-year French language program. In response to concerns voiced in surveys by students and instructors, I designed four units and suggested lesson plans. The first provides color-coding analysis of sample essays, allowing students to visualize and parse the elements of an essay. The second unit walks the…

Although critical pedagogy has been widely discussed in the Americas, little research has been done to recontextualize it in foreign language (FL) writing and explore its actual impact on the learners’ sense of self. Hence, I consider in this article the possibility of transforming FL writing education by using a reconceptualized critical pedagogy. It first adapts from existing literature to develop a new framework for critical pedagogy for FL writing, emphasizing four interrelated components, i.e., relationship, identity, power and agency. It then describes the implementation of such a pedagogy in a creative writing classroom by a teacher researcher in an FL environment. Evidence such as students’ written reflections, writing samples and teacher’s fieldnotes suggests that this new critical pedagogy can help FL learners develop agentive ways with writing, which entails more increased confidence in writing, greater mastery of writing and healthier writing dispositions. My intention is not to provide a template for future work, but rather to generate discussion and localized explorations that facilitate rich understandings of both self and other through employing critical pedagogy for FL writing education.

This qualitative study explored the impact of reading on writing in a collegiate French culture course that emphasized genre-based writing pedagogy. In particular, the study focused on how 19 advanced collegiate learners of French used model text resources in writing a letter-manifesto and what their perceptions were of participation in genre-based writing instruction. Based on this study's findings, the authors make an argument for how genre-based pedagogy can facilitate ...

Despite the social turn in views of language and the increasing attention to an application of genre theory in teaching languages, the field of Japanese-as-a-Foreign-Language (JFL) has not yet found genre a valuable resource for approaching learners’ writing ability. Writing is still practiced as a ...

It is my pleasure to introduce to you the guest editor of this third Special Issue of L2 Journal on L2 Writing and Personal History: Meaningful Literacy in the Language Classroom.

With reference to Eva Hoffman's Lost in Translation (1989) and four other texts I examine how translingual writers represent experiences of bringing what Hoffman calls 'terms from elsewhere' into dominant cultural dialogues. Alongside Hoffman's memoir I consider ...

The work of immigrant writers, whose professional identity is built around language, can deepen understandings of sociolinguistic and psychological issues, including aspects of the immigration experience; the position of language in the ideological and emotional value systems, and the significance of language for individual development. This paper deals with a number of translingual writers ...

Eugene Jolas, the first-time publisher of James Joyce's Finnegans Wake (1939 / 2012), started his career as a translingual journalist and poet. A French-German bilingual, Jolas acquired English in adolescence, crossing the Atlantic to refashion himself as an American man of letters. A "Man from Babel," as he styles himself in his posthumous autobiography of the same title (1998), Jolas ...

Throughout her career, Nancy Huston has both accepted and transgressed the limits of bilingualism. Limbes / Limbo (1998), L’empreinte de l’ange (1998), The Mark of the Angel (2000), Danse noire (2013), and Black Dance (2014) are five texts that demonstrate Huston’s diverse use of polyglot writing. While Limbes / Limbo is characterized by ...